Due to the Covid-19 lockdowns, the curators had more time than expected to piece the exhibition together, letting them trace the rich web of connections between panoramas and much of Los Angeles history. With Grand Views: The Immersive World of Panoramas, Fishburne, Velas and Carlson hope to help others understand just how wonderful this largescale artform is, while communicating the long and rich history behind it. I spent a lot of time at the Velaslavasay Panorama that day, and as we were leaving, I thought to myself, ‘I want to be here more.’” ![]() “It was just an incredible atmosphere, unlike anything I’d ever been to before and spending that time with a couple of my favorite people just made it very magical. “Me and my friends were the only people there at the time, and we spent a good hour in the panorama itself,” she told me. Photograph: Courtesy of Forest Lawn MuseumĬarlson, who has served as secretary-general of the International Panorama Council and who writes on numerous subjects, including panoramas, realized she wanted to dedicate herself to panoramas during a chance visit to the Velaslavasay Panorama, where she had a transformative encounter with the massive Effulgence of the North. Remarkably, a lot of the artifacts and things we’re displaying in this exhibit are tied to things that I saw in that self-assigned pilgrimage.”įederated Press, Montreal, Cyclorama Building, Sainte-Anne-de-Beaupré, c 1920. I went on this huge pilgrimage to Europe when I graduated college to try and visit as many of the panoramas as I could from this era. “I knew I wanted to make things since I was a child, and being in St Louis I learned about the 19th-century panorama tradition. ![]() According to Velas, her love of panoramas goes back to her early childhood, and getting to show her work in this exhibit alongside ephemera from panorama history is something of a full-circle moment. In addition, the show provides a rich assortment of broadsides, rare objects and ephemera from the 19th-century world of panoramas that help audiences truly get inside the creation and exhibition of these massive pieces.Ĭurating the show, Fishburne worked alongside panorama artist Sara Velas and writer Ruby Carlson, both of whom co-curate the Velaslavasay Panorama – a museum dedicated to panoramas located in nearby Los Angeles. The show centers around Forest Lawn’s Hall of Crucifixion-Resurrection – which has displayed two enormous panoramas for decades – and it also offers other enormous works, like the Panorama of the Valley of the Smokes, made by artist Sara Velas in 2000. Grand Views offers audiences a rare chance to immerse themselves in the fascinating world of panoramas.
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